THE HEIGHT OF THE REEDS : Even A Bridge Can Make Music

THE HEIGHT OF THE REEDS : Even A Bridge Can Make Music
THE HEIGHT OF THE REEDS : Even A Bridge Can Make

The Height of the Reeds is a major new sound installation by Opera North for the iconic Humber Bridge, running 1 – 30 April 2017 as part of . Tickets are now available.

The installation is an adventure in sound featuring the Chorus and Orchestra of Opera North; an original piece of music heard through headphones during a walk across the bridge, alongside the resonances of the bridge and its weather and traffic.

It is composed by the Norwegian trumpeter and contemporary jazz musician Arve Henriksen, electronic musician Jan Bang and guitarist Eivind Aarset, mixing their own music, orchestral and choral music, and field recordings made at the Humber Bridge itself by Hull-based sound artist Jez riley French.

The Height of the Reeds provides visitors to the Humber Bridge with a unique audio experience, designed to be listened to during a walk across the bridge’s 2,220-metre span – the longest single-span suspension bridge in the world that it is possible to cross by foot. It uncovers the hidden sounds of the bridge and its surrounding natural environment of river and fens, pairing these with music that is both atmospheric and epic.

In addition to the multiple layers of music, The Height of the Reeds contains lines of poetry by Norwegian poet Nils Christian Moe-Repstad read by Hull-born actors Maureen Lipman and Barrie Rutter, and narration recorded by Katie Smith, aged 7, a pupil from Bude Park Primary School in Bransholme, where Opera North has been delivering a Singing School programme over the last three years.

The project explores the bridge’s significance as both a symbol of home and a landmark of , by mixing local voices with music from Hull’s long term trading partners across the water in Scandinavia. The result is music that is at the same time epic and incredibly intimate, using the might of Opera North and the delicacy of a single note.

Composer and musician Jan Bang describes the process of creating the work:

“For us, it was interesting to start with the actual walk on the bridge, and to hear what the sound of the bridge was like. We went inside the bridge together with the sound artist Jez riley French and we listened to the sounds of the cars moving across the bridge above our heads, and further down Jez took some beautiful recordings of the cables resonating, which sounds like an orchestra itself.

“We have just followed the natural environment of the bridge and the surroundings, like the sound of the reeds. If you put contact mics, very small microphones on the reeds, they sound like drumsticks, and if you have a thousand of those, it’s quite powerful.

“It’s not just a normal sound walk, and it’s not just a normal piece of music. It’s interactive, so when you pass certain points during this walk, that will trigger certain musical fragments or a poem or the sound of a little girl from Hull. Even when you walk across the bridge, the piece is not something which is static, it’s something which continues to live.”

Composer and trumpeter Arve Henriksen comments:

“Jan and Eivind first went into the studio as a duo and recorded some sequences of music, and then they sent the files to me and I added trumpet, improvised over the top. After that we sent it to the orchestrator Aleksander Waaktar, who worked on the musical arrangements for the chorus and orchestra. Exchanging files via the internet now is the way we work very often, because it’s difficult to meet up.

“We were really privileged to get this invitation to create the work, and it’s fantastic to work with someone like Jez riley French who I’d heard of but never met, and to work with the Chorus and Orchestra of Opera North – it’s inspiring. I hope that audience members, walking across the bridge with a headset, will be inspired by it too. If this could be a starting point for the audience to be more aware that every day you are surrounded by so many sounds, and that a bridge, even a bridge, can make music, that’s lovely.”

The Height of the Reeds launches on Saturday 1 April 2017 with a weekend of special timed group walks with added live interventions, and will then be available to experience for the following month. Visitors need only collect a headset on arrival at the bridge to activate a unique sonic experience that unfolds as they walk the length of the bridge.

Jo Nockels, Projects Manager, Opera North, comments:

“The Humber Bridge is such a meaningful place to make music about. It is both a hugely important symbol of homecoming and belonging for local people and a symbolic threshold on the journey of the Humber estuary towards the sea.

“Working with amazing musicians from across that sea in Norway, this new piece of music in motion responds to these ideas, and allows visitors to experience the hidden music and rhythms of the bridge itself as they walk across it.”

Tickets for The Height of the Reeds are free from Monday 3 – Sunday 30 April.

Tickets for the opening weekend (Saturday 1 April – Sunday 2 April) are priced at £7.50, which includes additional live interventions during the walk as well as some treats along the way.



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